In a few days a couple thousand people will descend on The Pittsburgh Convention Center to attend the Jubilee 2011 Conference. Now that we’re so close to the conference, I thought it would be fun to share a bit of my conception process for Jubilee 2011.
Capturing the story of jubilee in a simple but powerful concept is always a tough challenge that tends to keep me up for many late nights. It’s been my experience that rather than trying to narrow down the concept, conveying the grand nature of all creation often results in a more compelling visual and conceptual form. In other words, go big or go home.
My team and I knew we wanted to pull in the words “everything” and “change” into the tagline, and we eventually settled on “it could change everything.” Next I spent a good amount of time sketching out some ideas and brainstorming some visual ideas for this. I kept coming back to the idea of showing change on a huge and grand level, just like what the jubilee conference would do for people who attended.

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I’ve always loved arrows in public icons, so I came up with an idea to transform the “c” in change to something iconic. Here’s what resulted after some experimenting in Illustrator:

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I then began to bring some life to the visual ideas I had. Here are a few that didn’t make the cut:
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Since none of these seemed to illustrate the idea of radical change as much as we all wanted, so I went back to the drawing board and came up with a simple upside down world map to illustrate someone’s world being turned upside down:

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After more discussion and testing on a number of audiences, it seemed clear that this was what we were looking for. I made some color changes to give the map a better punch, and then did the work of applying the concept to a number of other branding pieces. Here was the final result:

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Thanks for stopping by & see you at Jubilee.
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If you’ve ever watched the film “Stranger Than Fiction” with Will Ferrell, you’ve seen some great motion graphic work done by the studio MK12. As soon as I saw this stuff I was totally in awe of their stuff and how it seamlessly worked in the film without feeling tacked on. The images really help us crawl into the mind of the main character and play an integral part in the story. I’m a big fan of technical diagrams and drawings, so seeing this stuff really made my imagination go crazy and influenced some of my work.
























After doing a significant amount of research, I finally landed on the Canon EOS 550d (or rebel t2i). I actually went from a Panasonic Lumix GF1 camera to this one. I absolutely loved the GF1. Small, lightweight and took seriously sharp and bright shots. The pancake lens on this thing was great. But after a bit of frustration using manual only lenses through an adapter, and the limitation of lenses made for the Micro four thirds cameras, I decided it was probably the best to upgrade to a full SLR. I ordered the 550d body, and then the canon “nifty fifty” 50mm f/1.8 lens. At around $100, this is by far the best lens you can get for the money, period.
